“An unknown vessel, not of this world, materializes in London. A colossal figure towering over the city, it makes no move. Is this a peaceful first contact or the prelude to an invasion?
Every child has nightmares. But the only thing scarier than little Eva Reyes’ dreams – apocalyptic visions of death and destruction – is the habit they have of coming true…
Scientist Dr Rose Franklin has no memory of the last few years. The strangers she works with say she died, and was brought back to life. The question is not just how … but why?
Kara Resnik and Vincent Couture fell in love during war, and have found peace since. They are the thin line of defence against what is coming. But they do not know they have been living a lie.
And a man who claims to have the answers has his own agenda. There are things he cannot say – and others he won’t.”
Ok, the lesson I’m going to take out of this is that if I’m not all that fond of book one the likelihood is that I’m not going to like book two at all…
All my least favourite parts of ‘Sleeping Giants’ took a front seat in the sequel. It’s a book about giant robots and the annihilation of the human race, I couldn’t honestly care less about a questionable love story between two characters that I only mildly had any feelings for.
It’s a book that thinks that it’s more intelligent than it actually is…there were a couple of points during the DNA/sepsis exposition that I was sitting there as a medic thinking ‘you just described 1+1=2 in the most roundabout and smug way possible’. Also, choosing the BRCA2 mutation as one of the genetic markers for imperfect humanity was pretty insensitive, maybe they should have made up some gene mutations instead of choosing ones that people die from every year. At about 10% I’d pretty much reached the decision that this just wasn’t a book for me, but I kept reading, ever hopeful and marginally curious about what would happen. That was a poor decision on my part.
There’s a reason that I don’t choose to read film scripts, because the lack of internal thought process and visuals is boring as hell to a reader. Maybe it was more interesting to listen to as an audiobook but I’m not sure that I can be bothered to try. I know that I mentioned World War Z in the first review as well, but, honestly, that’s proof that I do quite enjoy the interview format if it’s done well. The transcribed audio logs in ‘Waking Gods’ were embarrassing to read, it put me in mind of old manuscripts that I wrote when I was eleven, stilted dialogue and too many ‘noooooooos’ for me to be able to take it seriously. Let’s be honest, an audio recording is not going to hear what you’re saying if you’re screaming, it’s just going to come out as a lot of ear bleeding static.
This had a great premise, giant robots is one of the quickest ways to get me on side when I’m trying to choose media…but it was just so dull, and the fact that I could completely skim huge chunks of text and still know what was going on didn’t exactly made me want to read it in any more detail. Sometimes books and readers just don’t click and I think that might have been the case here. Maybe the audiobook would have been better? I know that I would have enjoyed a film version a lot more? All I know is that I went in wanting giant robots and got a love story…eugh.
Thank you to Penguin Books and Netgalley for a copy in return for an honest review.