Daughter of the Burning City (Amanda Foody)

4 stars

“Reality is in the eye of the beholder…

Even among the many unusual members of the travelling circus that has always been her home sixteen-yea-old Sorina stands apart as the only illusion-worker born in hundreds of years.

This rare talent allows her to create illusions that others can see, feel and touch, with personalities all of their own. Her creations are her family, and together they make up the cast of the Festival’s Freak Show.

But no matter how lifelike they may seem, her illusions are still just that—illusions, and not truly real.

Or so she always believed…until one of them is murdered.

Now she must unravel the horrifying truth before all her loved ones disappear.”

Anyone who has been following me for a while will know that ‘Daughter of the Burning City’ is one of my most anticipated books of the second half of 2017. So, when I got the chance to read an advanced reader copy, courtesy of HQ and Harper Collins, I was very very excited.

Sorina is an illusionist, a rare type of jynxworker who can wish creatures of her imagination into physical form. The adoptive daughter of the Proprietor of the magical travelling Festival of Gomorrah, Sorina runs an act alongside the ‘freakish’ creations of her mind. As much as her creations are somewhat of a found family for her, she has never truly believed that they are real. However, her understanding of just what these creatures are is sorely tested when one of them is murdered, sending ripples through her entire adopted family.

Into this uncertain world steps Luca, a gossip broker and jynxworker whose gift protects him from physical death. Initially uninterested in Sorina’s plight, something changes in him and he offers his services to help Sorina find the killer of her creations. Blunt, clever and a little eccentric, Luca is viewed with mistrust by several people close to Sorina due to his UpMountain Origins and his avoidance of sexual interactions. But as time passes and Sorina and Luca grow closer, she realises that she can see little of the young man that other people seem to be seeing.

The world of ‘DOTBC’ is split into two key areas. The ‘UpMountain’ and ‘DownMountain’ regions, which refers to their geographical proximity to a spine of mountains which splits the continent. The countries North, ‘up’, of the Mountains are united by worship of a hardline warrior God, who believes in expansionism and the ‘eradication of sin’. The Festival of Gomorrah, with its drinking and song, revelry and prostitution, is far from the UpMountain ideals, with the festival allowed harbour infrequently and under strict regulation. The UpMountain religion considers jynxworkers to be creatures of demon magic, calling for their eradication throughout the continent. Perhaps most critically for Sorina, who was born without eyes, the UpMountain religion also considers physical deformities to be a sign of internal sin, making the world a thoroughly unwelcoming place for her.

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Sorina, our protagonist, is not a perfect person and I think that’s honestly why I enjoyed reading from her perspective so much. She’s impulsive yet deeply unsure of herself and struggles with anxiety throughout the novel. She sees herself as someone who it is impossible to love, creating these illusions around her almost like a found family. She spends much of the novel thinking that they only care for her because she made them that way, undermining herself but also the independence and agency of her ‘creatures’.

I’d argue that her illusions are some of the most human characters in the book. They have foibles and flaws but they care for each other in a deep heartfelt way. Their abilities and appearances are really fascinating and illustrated by little drawings throughout the story. There was also something deeply philosophical about the question of their existence, were they their own entities or just part of Sorina’s mind?

I think one of the parts of the book that I have the most thoughts about is the bisexual and demisexual representation. Our protagonist, Sorina, shows attraction to more than one gender in the novel and vocally opposes a character who makes the assumption she is only attracted to men. Luca is also canonically shown to be on the ace spectrum, saying that he only experiences attraction to those he already ‘cares’ about. It’s not explicit in book as to whether that attraction is romantic, sexual or more queerplatonic, though he and Sorina do kiss on page. One thing that I really liked about how Luca’s identity is dealt with is that the protagonist Sorina does something which is pretty unforgiveable, she kisses him impulsively, without consent, without appreciating anything about what other characters have said about his reduced attraction, and he backs off, he doesn’t talk to her and he is obviously very unhappy with what she did. Luca isn’t ‘cured’ by the kiss of an allosexual character, it obviously puts him in very real turmoil and when he does talk to Sorina again it is with boundaries and with the understanding that although he has some kind of attraction to her, it may never be the same kind of attraction that she feels. A kiss without consent is shown to be awkward, cold and just really grim, whilst the kiss with consent between the two same characters chapters later is warm and requited. It definitely flips the idea that a lot of media has where it’s somehow ‘sexy’ to kiss someone without asking them.

There is one reveal towards the end of the book that left me a little confused and uncertain. I don’t want to go into it in depth here as it’s a major spoiler, but I wasn’t sure how I felt about it considering the rest of the book had been so hot on consent. It’s not anything that you’re thinking it might be, I wouldn’t have supported a book with rape or dubious consent or anything like that in it. It’s more…about agency and independence. There’s a lot in this book about consent and agency and I suppose how you feel about those issues in book will have a lot to do with how to feel about the ending. I, personally, was a bit disappointed but I know that other reviewers have felt differently.

Overall, this was a really enjoyable read. I agree with some other readers that the pacing was a little off and sometimes left me wondering how long had passed between scenes, but it didn’t bother me too much, it was only something I thought about when looking over the book retrospectively. It’s a really interesting world, with engaging characters and a lot of avenues that I’d love to explore in more detail. As I was watching the pages tick down I found myself really sad that the book would soon be over and I would be leaving the world behind me. If Foody decides to write anymore stories in this world then they will honestly be an autobuy for me.

So, if you enjoy circus stories with dark settings and liberal dashings of the occult, I definitely recommend picking this book up!

Many thanks to Harper Collins and HQ books for a copy in return for an honest review.

‘Daughter of the Burning City’ is out in the UK as an e-book on the 25th of July, 2017, a paperback copy will be following on September 7th.

Amazon | Book Depository | Waterstones

If any of you are looking for a playlist to listen to when reading, this is the playlist I was listening to whilst reading.

The Dragons of Nova (Elise Kova)

5 stars

This is a review for the second book in the ‘Alchemists of Loom’ Trilogy and, as such, spoilers for book one will abound. If you want to learn more about the series, you can find my review for the first book, ‘The Alchemists of Loom’, here.

When I read ‘The Alchemists of Loom’ last year, it was actually the first of Elise’s books that I had ever read. Oh, how times have changed…

I can remember falling in love with the world of Loom, so dark and exciting and original, with its complicated Guild system and video game worthy mechanics. There’s always the worry when you find a book which is so fresh and different, that the second book will not be able to live up to the standards of the first. Thankfully, that is far from the case in ‘The Dragons of Nova’. If anything, Elise has stepped up her game with book two. It is a dream of a sequel.

So, without further ado, let’s get ourselves reacquainted with the world of Loom.

Ari is a chimaera, a Fenthri who has been spliced with multiple dragons parts to gain their magical properties. The events of book one saw our heroine leave Dortam, where she was the infamous thief ‘The White Wraith’, in the company of her apprentice, Florence, and a man who should, by all accounts, be her enemy, the Dragon Cvareh. The only thing keeping them together? The promise of a boon if she gets the errant Dragon to the distant Alchemists Guild.

But the journey was far from simple. Ari finds herself chased by the vicious Riders of the Dragon King, and, perhaps more harrowingly, by her own past. For in a world where chimaeras rot from the inside out under the taint of dragon magic, Ari is not. She is a perfect chimaera, every dragons greatest fear, and she must stop at nothing to avoid that information from spreading. Life is complicated further by her burgeoning emotions for Cvareh, a man she should feel nothing but hate for, and her distaste that her feelings are far from that.

‘The Dragons of Nova’ opens with Ari joining Cvareh on a journey to the Dragon land of Nova, floating islands hanging in the sky above the desolation of Loom. There they are to meet with his sister Petra, in the understanding that it is in both of their interests for the Dragon King to fall. There is, over all, the question of the Philosopher’s Box, the key component in the creation of a perfect Chimaera. How much does Ari know about their construction? And how much of that knowledge about the box, and herself, is she willing to share with her Dragon allies?

Down on Loom, Florence continues her work with the Alchemists Guild, very aware that, once again, she is an outsider in the Guilds and they will always put their lives before her own. Sent on a journey via train to the Harvester’s Guild, Florence becomes intimately acquainted with all facets of monstrosity; the monsters of Loom, and the monsters in humanity. Things are changing on Loom, and our top-hatted Raven-turned-Revolver has a first row seat for the action.

It is very hard to not just keyboard smash when writing this review. SO much happens in this book and my reaction is very much simply the emoji, 😱. Oh, you are truly lulled into a false sense of security by the end of book one. No-one is safe, no-one is secure in ‘TDON’. Our characters are truly trying to navigate violent rapids in a bathtub!

Ari, our protagonist, is mistrust and pride incarnate. Unwilling to accept help, partly because she has been so burned by her part, but also because she’s just the sort of person who would rather walk on hot coals than fall upon the generosity of another. Stubborn, capricious, difficult to love and let herself be loved, I, nevertheless, adore her. Driven by logic, yet coming to appreciate the ‘beauty as its own reward’ culture of Nova, we see so much growth in Ari during the book, both magically and personally. She’s also canonically attracted to more than one gender! Praise be for bisexual or pansexual protagonists in fantasy novels! They’re about as rare as white tigers, and it fills my little bi heart with joy to see myself represented in my favourite genre.

Ari is not the only character to undergo significant development throughout the novel. Florence, who had potentially been my least favourite of the main characters in book one, truly came into her own in ‘TDON’. ‘Tiny girl with a big gun’ is, in my opinion, one of the best tropes to come out of video games, and it’s a joy to see Florence actually be allowed to flourish without Ari being their to ‘save’ her before she gets a chance to save herself. Watching Florence come to a better understanding of herself and her place in the world was honestly one of the most exciting parts of the book. There were a couple of decisions that Florence made during the story that left me so shocked and impressed that I actually laughed out loud.

We see a lot more of Nova in this book, spending more than half of the page time above the cloud line. It’s a real treat to get to see more of the floating islands, with their environment and culture that is so different to that of Loom. Where Loom is built for function, the architecture of Nova is engineered for beauty and form. Cvareh seems a lot more comfortable and confident amongst the culture of his people, and we definitely see a different side to him, that of his sister’s second in command. Privy to his sister’s machinations and quest to return their family to power, there is a very political side to this story, exploring the social hierarchy of Nova and the implications of each and every act within their culture. Politics, I hear you groan, but do not fear, this isn’t a dry story of meetings, but politics that happens in the fighting pit and the gossip houses. The world building is far too interesting to ever let the politics get onerous.

Without spoiling anything, I will say that the events of the story and the ending truly do set the series up for an enormous conclusion. There’s bloody violence, betrayal, assassination and ‘Game of Thrones’-esque political maneuverings. It truly is beautifully and exquisitely satisfying (and painful).

The famous line from Robbie Burns’ ‘To a Mouse’ comes to mind at this moment:

‘the best laid schemes o’ mice an’ men, gang aft a-gley’.

We truly have been set up for suffering. It’s going to be a painful old wait for book three!

Many thanks to Keymaster Press for a copy in return for an honest review.

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A Conjuring of Light (V.E. Schwab)

5 stars

Anoshe was a word for strangers in the street, and lovers between meetings, for parents and children, friends and family.

It softened the blow of leaving.

Eased the strain of parting.

A careful nod to the certainty of today, the mystery of tomorrow.” 

 

I think it’s going to take a while to sink in that this series is over. It’s been a while since I’ve read a group of characters that feel so much like old friends.

I found myself moving back in my memories, trying to work out exactly when I picked up book one, and found that I wasn’t entirely sure. I just remembered every time I walked into a bookshop, saw ‘A Darker Shade of Magic’ and smiled, because what else can you do when you love a book so much that, whenever you see it, you just want to brush your fingers across it.

The series spanned a weird time for me; the last few years of Medical School, a time of growing up, taking responsibility and finding out exactly who I was. It was made all the more poignant by this series being filled with characters of the same age, who were doing just the same. Kell, trying to find his place between worlds; Lila, learning to trust and accept that having friends and those who cared for her wasn’t such a bad thing; Rhy, accepting that taking the responsibilities of the Crown didn’t mean he had to erase who he was.

The book begins directly after ‘A Gathering of Shadows’ ended, after that tortuous cliffhanger that we had to survive for an entire year. The British copy of ‘ACOL’ has exactly 666 pages, which is just too apt, because who didn’t spend their entire time reading this story terrified of their favourite characters (aka all the characters) dying?

I think this is one of the only stories I’ve read recently where I honestly loved every character. Kell with his magic coat and seeming inability to be anything other than the human embodiment of social awkwardness. Rhy, our jovial Prince, who actually seems to feel every ounce of his country’s suffering like a physical blow. Lila, a character who I still can’t quite fathom that people could dislike, impulsive, volatile, coming to terms with the fact that, despite her best efforts, she actually cares for people. Alucard, whose pomp and indifference is many layers of a very elaborate mask to spare his actual, very breakable, heart. Holland, the survivor, the one who both cracked the whip and was subjected to its lash.

A couple of other backstories are explored in ‘ACOL’, we learn about Maxim and Emira’s courtship and their experience of raising Rhy and Kell as brothers, what truly drove Alucard from Arnes, and, in depth, about Holland’s life in White London, from childhood to the horror of the Dane’s reign. The histories slow the pace of ‘ACOL’, and I know they weren’t to everyone’s taste, but I adored hearing more about the characters and, without spoilers, I thought they were all entirely necessary for the story.

I’m going to avoid major spoilers here but I will say that if you’re scared of reading it because you’re worried your favourite will die, you don’t really need to worry. There is a beautiful and wonderful avoidance of all gratuitous death. I’m not saying you’re not going to bawl your eyes out at the handful of deaths there are, but there are no deaths that honestly make you want to put the book down in protest.

It’s an beautifully satisfying ending to the series. All the threads are tied, I think I may have welled up with happiness at the end. I’d say there’s room for exposition in the world if Ms Schwab so wished, and, I would probably enter into a blood pact with Ms Schwab for more stories about Alucard…

This series has always been important to me because it’s probably the only series that comes to mind at the moment with a canonically bisexual protagonist. The page time, character development and story space that Rhy Maresh gets, especially in this book, is incredibly important. I think that if you’re in a majority group, ie. white heterosexual for this point, it’s very easy to dismiss the significance of putting diversity into your books, because you’re not going to know what it feels like to not be represented. Almost every book is written about you, for you. Obviously, the beauty of books is empathizing with people who aren’t ‘like us’, but there’s also great importance in seeing valid characters who are just like you. I also think the importance of Rhy is that his story is not based around how bisexuality has affected his life. He’s not hurting because he’s bisexual, he’s hurting because he’s in love and he’s only partially alive and he’s worried about the responsibilities of the crown. Writing a diverse character isn’t about basing their entire story around their diversity (necessarily) it’s about allowing them to have a story and have adventures just like any other character, and Ms Schwab does that really really well.

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(Fanart of Rhy Maresh by me/ lordbelatiel.tumblr.com)

So, if you’ve read ADSOM, I suggest picking up AGOS and ACOL and hibernating with them for a week. If you’ve read AGOS then what are you doing(?), go and grab ACOL. If you haven’t read any of them, then consider this your sign to pick the series up en masse and devote the next few weeks to the majesty that is Victoria Schwab.

Ariah (B.R. Sanders)

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“When you’re very young and you’re different, you begin to believe that no one has ever been as different as you and that no one has ever felt that difference as keenly as you.”

When I sit down to write I review I usually make a list of likes and dislikes. It should tell you something about how much I like this book that the list, in its entirety looked like this:

“Likes: everything about this book

-Genuinely, everything”

The book begins with Ariah, a young elf, journeying far from his familial home to study with a mentor who will help him control his rather unusual gifts. He lives in a world where elves are looked down upon by their human compatriots. Ariah is part Semadran, an ethnic variant of elves with strict and conservative family values, and part Red Elf, a wilder, more carefree people who don’t hold with the same traditions as the Semadrans. Ariah is a mimic, a gift that allows him to learn language and the nuances of voice with ease, but he is also something more dangerous, something he tries very hard to play down and hide. He is part shaper, very in-tune with others’ emotions, able to manipulate the emotions of others and can find himself losing all sense of who he is the great sweep of others minds. It is a gift that is heavily regulated in the empire and is viewed with great mistrust.

He begins his training with Dirva, his mentor, but familial problems lead to Ariah travelling beyond the borders of the empire alongside him. There he meets Dirva’s younger brother, Sorcha, and comes face to face with the realization that he does not know himself at all.


This is a wonderful, beautiful book. I don’t think I’ve read a book that’s lingered with me after reading the last page quite like this in a long time. I want to read it again even though it’s only been a handful of hours since I put it down. I can’t tell you how long I have been looking for a book like this. Beautiful, beautiful fantasy world building with diverse incredibly written characters and relationships that are delightfully non-heteronormative. As a bisexual fantasy lover this was a dream come true.

‘Ariah’ is very much a character as opposed to plot driven book. That’s not to say that nothing happens because by the end of the book you feel as if you’ve been on an odyssey with the main character, but if you’re looking for page after page of action then you might be disappointed. In my humble opinion, this is honestly some of the best character writing I have ever come across. You feel as if you could reach out and actually touch the characters they are painted so vividly. I love Ariah, I love Sorcha, I love Shayat and Dirva, I’m having a very hard time putting into words just why and how. They are all imperfect people, you embrace every inch of them through Ariah’s eyes, every feature and flaw, every moment of affection or miscommunication. It is very intense and strangely comforting.

“For some of us, the places we come from are not the places we belong, and never were, and never will be.”


Sanders touches on some very important issues in this book, most notably the idea of ‘difference’ and what it means to be ‘different’. I adored the way they handled Ariah’s internalised homophobia due to his strict upbringing and the effect that has on his sense of self after he develops intense feelings for Sorcha. The fact that Ariah has very little sense of self to begin with, that he ‘loses himself’, molds himself to the wants and whims of others, damaging himself in the process, becoming whatever he feels the other needs. The book ponders the different types of love, the different types of need, and the different possibly configurations of personal relationships. It talks about gender, attraction, identity and race all smoothly bound within the narrative. It is an incredible rich book and I had a tear in my eye and a tight feeling in my throat for a lot of it. 

Sanders has incredible prose, it lulls you along, so smooth and rich, it honestly does not feel as if you’ve lost an entire afternoon in reading. I read part of this book on a train and I was very shocked when I realized I was at my destination and two hours had passed.  I may also have had a handful of very groggy mornings due to late night reading sessions…

(Also, have you seen that cover art?? Gods of cover art have truly blessed Sanders. I’ve been a huge fan and follower of C. Bedford ( @c-bedford)  for the last couple of years, so it was a match made in heaven to find their art on the front cover of my new favourite book.)


I can’t recommend this book enough. I already have plans to order a hard copy because I can’t wait to read it again, this time with the pages physically in my hands. Seriously, if you’re looking for a wonderfully written fantasy with diverse protagonists and sublime character development go and get a copy, I repeat, go and get yourself a copy now.

☆☆☆☆☆

(Thanks to Zharmae Publishing and Netgalley for a copy in return for an honest review.)