Professor Vellitt Boe teaches at the prestigious Ulthar Women’s College. When one of her most gifted students elopes with a dreamer from the waking world, Vellitt must retrieve her.
But the journey sends her on a quest across the Dreamlands and into her own mysterious past, where some secrets were never meant to surface.
So, when I first picked up a copy of this book I, somehow, neglected to notice that it was based on the Lovecraft mythos (more, specifically, ‘The Dream Quest of Unknown Kadath’) and, once I realised this, I spent a while torn between continuing as I was and reading up around the base concept. In the end I sort of did a bit of both.
I can happily say that this book is accessible to any and all, you don’t have to know anything about Lovecraft’s work to enjoy it. I’d read a little of Lovecraft’s work but found it very difficult to overlook the racism and sexism that is prevalent in it. Beautiful ideas utterly mired by disgusting prejudice. Johnson’s book almost reads as a commentary on that, a bit of a ‘what we could have had’ if the Lovecraft stories weren’t so hostile to women. Vellitt Boe acts as foil throughout the book, correcting some of the more troubling assumptions of the original books and gently critiquing the misogyny of Lovecraft’s male protagonists, namely Randolph Carter, the protagonist of the original ‘Dream-Quest’.
‘He loved who he was: Randolph Carter, master dreamer, adventurer. To him, she has been landscape, an articulate crag he could ascend, a face to put to this place. When were women ever anything but footnotes to men’s tales?’
One of the things I enjoyed most about this book is the voice of the protagonist. Vellitt Boe is an elderly woman, a character who has settled down to a life of quiet academia after decades of adventure, before being pulled into it once more. It’s so rare to read about older women in fantasy, especially not elderly women who are the heroes of the story.
Even without focusing on the important social commentary aspects, this is a beautiful book. It is entirely possible to get lost in the Dreamlands with Vellitt Boe. It has all the haunting beauty of the Mythos’ original ideas, but written in a more accessible, less rambling manner. The author mentioned in the afterword that she can remember the first time she read ‘The Dream-Quest of Unknown Kadath’ at the age of 10, and that, even though being troubled by the racism, the ideas of the Dreamlands had stuck with her. You can see the nostalgia in this book, that of Vellitt Boe travelling the roads she travelled as a young woman, and that of Johnson giving voice to the worlds she had adored and devoured as a child.
Whether it be the wild landscapes and creatures of the Dreamlands, or the well trodden paths of our own modern world, Johnson finds beauty in both the extravagant and the mundane. Throughout the story you feel you are taking the journey with Vellitt, through places both bizarre and somehow familiar, and into the memories of a life fully lived.
Thank you very much to Macmillan-Tor/Forge for a copy in return for an honest review.
For those who are wondering, the beautiful cover art is by the wonderful Victo Ngai