Invictus (Ryan Graudin)

5 stars

Time flies when you’re plundering history.

Farway Gaius McCarthy was born outside of time. The son of a time-traveling Recorder from 2354 AD and a gladiator living in Rome in 95 AD, Far’s birth defies the laws of nature. Exploring history himself is all he’s ever wanted, and after failing his final time-traveling exam, Far takes a position commanding a ship with a crew of his friends as part of a black market operation to steal valuables from the past. 

But during a heist on the sinking Titanic, Far meets a mysterious girl who always seems to be one step ahead of him. Armed with knowledge that will bring Far’s very existence into question, she will lead Far and his team on a race through time to discover a frightening truth: History is not as steady as it seems.

So, I went into this book with fairly low expectations. Not because it’s Ryan Graudin (I love Graudin’s books!) but because I just don’t tend to fall in love with time travel stories. I’m going to be perfectly blunt and say that I find Dr Who a complete snoozefest, so, I wasn’t really sure whether the odds were stacked against this book before I’d even read it. Nevertheless, it was Graudin, the cover was shiny, it had gladiators, so I decided to give it a try.

I am so glad that I did.

So, without further ado, here’s a little precis of why I enjoyed this book so much.

  • I haven’t fallen for a motley crew of characters so completely since ‘Six of Crows’. They’re present and multi faceted and all with their foibles. The interpersonal relations between them are engaging and real. We’re talking a bunch of teenagers who spend 50% of their time piloting a cramped time machine throughout the universe. Yes, the time travelling is fun, but so is their banter and how they deal with the fact they’re living double lives, so wildly inexplicable to anyone other than eachother.
  • Without giving too much away, I really enjoyed Graudin’s use of theories of time and the universe.
  • The threat levels in this book are through the roof. Honestly, as much as this book is fun and bubbly and adorable, the ‘enemy’ that our heroes face is absolutely terrifying. I had to sit and read it in one sitting because I was too tense to put it down!
  • It’s light hearted but emotional…so emotional. I was actually quite surprised with how much the story made me feel. I was expecting a light hearted sci fi caper, and we got that but also with a side of real emotional clout.
  • RED PANDAS.
  • Established romance. I didn’t realise how much I like to see characters already in relationships until I started this book. You get to see the cute, fluffy stuff without any of the awkwardness.
  • The worldbuilding was really cool. I loved the concept of recorders and the entertainment value of their work, but I also really liked the unexpectedness of having Rome as the centre of time travel rather than somewhere like New York, which, frankly, would have been a whole lot less interesting. It was really easy to imagine a new high tech city being built around and through the historical ruins and monuments of Italy. It also felt more like a global city for it, with people congregating from all around the world to work in the time travel industry. It’s not an American-centric future, but somewhere where you’re just as likely to get some proper Chai as an espresso.
  • There is a lot of chai and gelato in this book, I was honestly developing cravings.

In the interest of writing a balanced review, I tried to think whether there was anything that I didn’t particularly like about this book. I really struggled. I suppose what I will say is that if you’re looking for some kind of grimdark hard sci fi time travel then it might not be for you. It’s as much about personal relationships between the crew as it is the time travel element. I really like that, but it might not be for everyone.

So, in short, an awesome book that got me through a direly dull weekend on-call. If I had to describe it in only a handful of words, I’d say it was effervescent, colourful and emotionally draining. If you like fast paced, quirky adventure stories then it’s definitely one you should check out.

Many thanks to Little, Brown Books for Young Readers for a copy in return for an honest review!

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The Uploaded (Ferrett Steinmetz)

4 stars

In the near future, the elderly have moved online and now live within the computer network. But that doesn’t stop them interfering in the lives of the living, whose sole real purpose now is to maintain the vast servers which support digital Heaven. For one orphan that just isn’t enough – he wants more for himself and his sister than a life slaving away for the dead. It turns out that he’s not the only one who wants to reset the world…

‘The Uploaded’ is a dark book. I’m going to give you that warning for free now.

If said warning doesn’t put you off then please continue…

Amichai is an Upterlife orphan, a teenager whose parents died in one of the horrific genetically modified plagues that are accidentally set loose on the living world every now and then, and ‘ascended’ to a digital existence. Freed from the chains of reality, pain and suffering, they’ve all but forgotten that they left two children behind, spending their days fighting dragons with their pain receptors turned off and sipping piña coladas alongside an artificial sunset.

Amichai is left in the physical world, full of bleak crumbling sky scrapers, questionable protein sludge and glistening servers, whose upkeep is all that he’s considered good for. A trickster at heart and someone who is just terrible at following rules, Amichai lives under the constant burden of the shrive, a ‘save point’ where his memories and experiences are periodically uploaded to the servers and judged by the living dead. Tip too far into ‘criminal’ and he will not be allowed to enter the upterlife, instead dying a horrifying ‘meat death’, his existence erased.

Following the effects of the Bubbler Plague, which annihilated much of the living population, kids like Amichai are a dying breed, both needed and treated with disdain by their ‘ancestors’. Amichai would probably care less if it wasn’t for the existence of his sister, a survivor of the plague, no longer considered fit to wear the badge of the LifeGuard, the proxy officers by which the dead ‘police’ the living. Surviving ‘robbed’ her of the chance to ascend to the servers early, instead forcing her to take on menial work in microchip factories until the end of her natural lifespan.

Life on Earth is hopelessly grim with some foregoing the promise of a digital afterlife altogether, instead choosing ‘meat death’ and the dream of Heaven, trashing the servers that they consider ungodly. Caught between the dead, who do not value his existence and the ‘NeoChristians’ who wish to rob him of his digital future, Amichai is in a bit of a bind. All he knows for sure is that, life cannot continue this way.

Something has to change.

This was a very clever book. It’s been a while since I’ve had a book make me think so much. It’s also a strangely apt book for our current political situation, with the older generations entangling our futures in the chains of their poorly thought out decisions.

It’s definitely more about the concept than the characters. The worldbuilding is astounding, every little detail meticulously thought out for maximum weight and horror. Although the story is very different, I got a real ‘Fallout’ vibe from the book. It’s a bleak horrible world, with people banding together the best they can just to deal with the hideousness of their lives. A dangerous job is no longer considered something worth avoiding, but something that could potentially lead to a quicker upload to the Upterlife.

It’s not a book for the faint hearted, it is relentlessly dark and relentlessly hopeless. I’d also put a big warning on the book for anyone who’s currently having suicidal thoughts. Although the book is, obviously, NOT advocating suicide, the way that characters talk about death and how much they are looking forward to it could be seriously triggering for some readers!

In the afterword, Steinmetz speaks about the fact that he’s been writing this book for years. You can really see it in the story through the attention to detail and the planning of each of the twists and turns. It’s a story that I really enjoyed just letting it take me where it went. I stopped guessing what Amichai would do next, instead accepting that I would probably just be wrong.

In comparison with the world, the characters are a little bit forgettable. I don’t think that’s necessarily a flaw, it’s definitely a story more about deeds than the people behind them, but I found myself forgetting some of the side characters names or losing track of their relevance to the story. Amichai is, however, a great lead. When I was reading, the image in my head was Robert Sheehan as Nathan in ‘Misfits’, irreverent, extraverted, but, under it all, caring and more than a little afraid.

It’s a book that makes you feel a little hollow inside. You’d like to think that those living a digital existence wouldn’t forget the needs of those that they leave behind, but you also know that it’s entirely likely. The dead in this world have the ultimate privilege, they do not fear for anything, not hunger, poverty or pain, for they have already triumphed humanity’s greatest fear, death itself.

So, all in all, a great standalone with exceptional world building. Books like this are why I read science fiction: huge ethical questions, dark not entirely unfamiliar worlds and massive concepts. A great book, and definitely one that will have me searching out Steinmetz’s back catalogue.

(Also, look at this stunning cover…)

TheUploaded_144dpi

Many thanks to Angry Robot books for a copy in return for an honest review!

Waking Gods (Sylvain Neuvel)

1 star

An unknown vessel, not of this world, materializes in London. A colossal figure towering over the city, it makes no move. Is this a peaceful first contact or the prelude to an invasion?

Every child has nightmares. But the only thing scarier than little Eva Reyes’ dreams – apocalyptic visions of death and destruction – is the habit they have of coming true…

Scientist Dr Rose Franklin has no memory of the last few years. The strangers she works with say she died, and was brought back to life. The question is not just how … but why?

Kara Resnik and Vincent Couture fell in love during war, and have found peace since. They are the thin line of defence against what is coming. But they do not know they have been living a lie.

And a man who claims to have the answers has his own agenda. There are things he cannot say – and others he won’t.”

Ok, the lesson I’m going to take out of this is that if I’m not all that fond of book one the likelihood is that I’m not going to like book two at all…

All my least favourite parts of ‘Sleeping Giants’ took a front seat in the sequel. It’s a book about giant robots and the annihilation of the human race, I couldn’t honestly care less about a questionable love story between two characters that I only mildly had any feelings for.

It’s a book that thinks that it’s more intelligent than it actually is…there were a couple of points during the DNA/sepsis exposition that I was sitting there as a medic thinking ‘you just described 1+1=2 in the most roundabout and smug way possible’. Also, choosing the BRCA2 mutation as one of the genetic markers for imperfect humanity was pretty insensitive, maybe they should have made up some gene mutations instead of choosing ones that people die from every year.  At about 10% I’d pretty much reached the decision that this just wasn’t a book for me, but I kept reading, ever hopeful and marginally curious about what would happen. That was a poor decision on my part.

There’s a reason that I don’t choose to read film scripts, because the lack of internal thought process and visuals is boring as hell to a reader. Maybe it was more interesting to listen to as an audiobook but I’m not sure that I can be bothered to try. I know that I mentioned World War Z in the first review as well, but, honestly, that’s proof that I do quite enjoy the interview format if it’s done well. The transcribed audio logs in ‘Waking Gods’ were embarrassing to read, it put me in mind of old manuscripts that I wrote when I was eleven, stilted dialogue and too many ‘noooooooos’ for me to be able to take it seriously. Let’s be honest, an audio recording is not going to hear what you’re saying if you’re screaming, it’s just going to come out as a lot of ear bleeding static.

This had a great premise, giant robots is one of the quickest ways to get me on side when I’m trying to choose media…but it was just so dull, and the fact that I could completely skim huge chunks of text and still know what was going on didn’t exactly made me want to read it in any more detail. Sometimes books and readers just don’t click and I think that might have been the case here. Maybe the audiobook would have been better? I know that I would have enjoyed a film version a lot more? All I know is that I went in wanting giant robots and got a love story…eugh.

Thank you to Penguin Books and Netgalley for a copy in return for an honest review.

 

 

Shattered Minds (Laura Lam)

4.5 stars

“Ex-neuroscientist Carina struggles with a drug problem, her conscience, and urges to kill.

She satisfies her cravings in dreams, fuelled by the addictive drug ‘Zeal’. Now she’s heading for self-destruction until she has a vision of a dead girl.

Sudice Inc. damaged Carina when she worked on their sinister brain-mapping project, causing her violent compulsions. And this girl was a similar experiment. When Carina realizes the vision was planted by her old colleague Mark, desperate for help to expose the company, she knows hes probably dead.

Her only hope is to unmask her nemesis or shes next.

To unlock the secrets Mark hid in her mind, shell need a group of specialist hackers. Dax is one of them, a doctor who can help Carina fight her addictions. If she holds on to her humanity, they might even have a future together. But first she must destroy her adversary before it changes us and our society, forever.”

 

Set in the same dark future as ‘False Hearts’, the newest offering from Laura Lam is a very different book. Whereas ‘False Hearts’ was a book of neon warmth and arching redwoods, ‘Shattered Minds’ is a story filled with clinical chrome and the buzz of electronic instruments. It is a harder, colder book, less forgiving, with characters that take a little bit longer to love. But love them you definitely do.

Centring around a hacking group that is attempting to bring down a large, corrupt corporation that seems to own most of the West Coast (now Pacifica), ‘Shattered Minds’ has a really classic cyberpunk feel that put me in mind of William Gibson’s ‘Neuromancer’. Members of society now have complex neural implants to allow functions such as the straight downloading of information from external systems. Such neural implants can also allow hacking via VR, a more natural interface than hard code, though also bringing the added risk of cybersecurity systems being able to ‘fry’ user implants remotely, and, with them, the user’s own mind.

Carina, our protagonist, an ex neuroprogrammer, takes some time to warm to. She’s blunt and difficult, though once you realise how much of that ‘difficulty’ is due to self loathing and trauma she’s much easier to understand. She’s a character who has been betrayed by everyone she ever thought to trust, from her father to Roz, the scientist who was supposed to take her pain away. ‘Taking the pain’ away in Carina’s case turned out to be much more literal, with Roz re-engineering Carina’s brain in a way that made it so she rarely felt strong emotion. It was only when that programming began to unravel and sudden strong compulsions to commit violence and murder began to develop that Carina realised what had happened to her. Terrified of hurting people, she retreats into the world of zeal, a drug that allows users to manipulate their own dreamscapes. Her body falling apart at the seams, Carina feels that at least she is less of a threat to those around her…it’s heartbreaking on so many levels. The story raises the question on multiple occasions of just how much of Carina’s personality is her own and how much is what the brain engineering made her. Even if they were to reverse that engineering, how much of what Carina is was caused by nature and how much is what was done to her?

Dax, an important secondary POV character and love interest, was my favourite. I try not to play favourites, but I just couldn’t help it. He is, in Laura’s own words, the ‘cinnamon roll’, and I entirely agree with that assessment. The medic to our hacking collective, Dax originally was a surgeon specialising in body modification, common in the state of Pacifica. Always excellent at including LGBTQA+ characters and respectful rep in her stories, Laura’s decision to write Dax as a trans man is such a positive thing. Dax’s identity is not a plot point, it’s not a twist, it simply is. More books need to include LGBTQA+ characters in a way that makes identity incidental and not somehow part of the plot. LGBTQA+ people exist and their story doesn’t have to end there, let them have stories beyond that! Let them be heroes and villains and hackers and doctors, let them be whatever your stories need them to be, like any other character.

Also, you know, let them be cinnamon roll Native Doctors, because I love Dax so much.

Before I go on an excessively long ramble about how much I love one character, I’ll direct you towards our villain, the ruthlessly driven Roz. It’s been a while since I’ve disliked a villain quite as much as Roz. Cold, hard, indifferent to the feelings of others, she is probably my entire opposite, but I don’t think it’s even that which got under my skin so much. The most horrifying thing about Roz is how she doesn’t view consent as something sacred. She doesn’t care what you want, you’re simply her experiment and she has no qualms whatsoever in knocking you out and making fundamental changes to your brain. Genuinely, she gives me the shudders.

The half a star came off because I wasn’t able to gel with the story quite as much as I would have liked. It has a complicated structure, moving backwards and forwards in time in a way that makes a lot of sense for the plot and for Carina’s character, but sometimes left me a little confused. I’ve also mentioned before that Carina is maybe a little more difficult to love than your classic protagonist, but I think, once again, that that’s a personal thing and I know from reading other reviews that other people have absolutely adored her.

One of my favourite parts of the world that Laura builds for her Pacifica novels is the culture and the cities. There are all these subtle hints at other stories happening behind the scenes, like the fan who tried to clone his idols and led to a fashion for covering all fingerprints and shaving off all hair, so that no DNA was accidentally left behind. There’s also some overlap with ‘False Hearts’, in mentions of the cult that the protagonists were raised in, characters reappearing and further discussion of the some of the repercussions of events in the other book. Whilst you don’t have to have read ‘False Hearts’ to enjoy this, I’d honest recommend picking up both books, because ‘False Hearts’ is one of my favourite books of all time, and the world that Laura has created is a joy to read.

So, if you’re looking for a cerebral thriller (no pun intended), with diverse characters, genuine threat and much much neurohacking, this is definitely the book for you.

‘Shattered Minds’ is out on the 15th of June, and Laura has a pre order promotion going at the moment with 10K of extra Pacifica fiction available in return for proof of pre-order!

Many thanks to Tor Books for a copy in return for an honest review!

 

 

 

 

Interview + Giveaway: Elise Kova talks Loom, Music and Inspiration

As I’m sure many of you know by now, I’m a huge Elise Kova fan! I was given the opportunity to read an advanced readers copy of ‘The Alchemists of Loom’ last year and fell in love with the dark steampunk world with its rich characters and videogame-like action sequences.

To give you a flavour, here’s is the synopsis for Book One, ‘The Alchemists of Loom’:


‘Her vengeance. His vision.
 
Ari lost everything she once loved when the Five Guilds’ resistance fell to the Dragon King. Now, she uses her unparalleled gift for clockwork machinery in tandem with notoriously unscrupulous morals to contribute to a thriving underground organ market. There isn’t a place on Loom that is secure from the engineer-turned-thief, and her magical talents are sold to the highest bidder as long as the job defies their Dragon oppressors.
 
Cvareh would do anything to see his sister usurp the Dragon King and sit on the throne. His family’s house has endured the shame of being the lowest rung in the Dragons’ society for far too long. The Alchemist Guild, down on Loom, may just hold the key to putting his kin in power, if Cvareh can get to them before the Dragon King’s assassins. 
 
When Ari stumbles upon a wounded Cvareh, she sees an opportunity to slaughter an enemy and make a profit off his corpse. But the Dragon sees an opportunity to navigate Loom with the best person to get him where he wants to go.
 
He offers her the one thing Ari can’t refuse: A wish of her greatest desire, if she brings him to the Alchemists of Loom.’

 


Now, with the release date of second book in the Loom Trilogy, ‘The Dragons of Nova’, looming ever closer I was lucky enough to get the chance to ask Elise some questions about her world and her inspirations!

  • The world of Loom is a very cinematic one. When you first started to envisage this story were there any images and ideas that stood out to you before all else?

[Elise] I’ve spoken about my video game influence in a few other interviews over the course of the read-along, so I’ll just take this as an opportunity to share my Loom Pinterest board which has a ton of my original inspirations and world images. 

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  • You’ve mentioned before that music had a profound impact on your writing of the ‘Air Awakens’ series, are there any songs that, through the writing process, you can’t hear without thinking of Loom?

[Elise] I wrote to a lot of the ‘Bloodborne’ Soundtrack, it was my “get in the mood” music when it came to writing Loom. Otherwise, I have a lot of songs that fit Ari specifically and seem to describe the overall feeling of Loom. Some of them are:

‘Control’ by Halsey

‘Gasoline’ by Halsey

‘Fairly Local’ by Twenty One Pilots


Florence-Character-Trading-Card

‘Florence’ Trading Card by Nick Grey

  • Which character do you find the most enjoyable or rewarding to write?

[Elise] All the characters are so different that they each really fulfil me in different ways to write. I thought originally I would enjoy writing Arianna the most and her logical approach to problems… But I think the character I have the most fun writing and find the most enjoyable is Florence. I think this is because of just how much she grows throughout the course of the books and how she evolves. Some characters write themselves and Florence was certainly one of those in that she became a lot more important than I even thought she would be to the plot. But, now, I can’t imagine her any other way.


  • Have any of the characters changed drastically, even unrecognisably, during the writing process from the way you first envisaged them?
Cvareh-Character-Trading-Card

‘Cvareh’ Trading Card by Nick Grey

[Elise] I think the closest to this is Cvareh… He was another character who (speaking of) “wrote themselves”. I wasn’t really sure what kind of character Cvareh was going to be going into his narrative. I knew aspects about his backstory, his priorities… But I didn’t know his voice. That was something I had the delight of discovering as I wrote. So I don’t know if he “changed drastically” because I didn’t have much for him going into things. But he definitely became someone I didn’t expect. 


  • Say you were to find yourself in Loom, harvesting dragon parts, which organ would you want for yourself?

[Elise] I think I would go for hands. I like the idea of being able to make illusions and think it could be used in ways that are both good (like “taking” someone who couldn’t otherwise go to a far away place there by illusioning it around them) and a little mischievous (like playing a harmless prank on a friend).

Many thanks to Elise for her time and her insights into the world of Loom! Keep an eye on my instagram (moonmagister) for a special ‘The Alchemists of Loom’ related post!


For the chance to win a signed copy of ‘The Alchemists of Loom’ visit the giveaway here!!

Bonus Content:


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Follow Elise on Social Media:

‘The Alchemists of Loom’ Read Along

So, in preparation for the release of ‘The Dragons of Nova’ in July, today is the first day of the Facebook read along of Elise Kova’s ‘The Alchemists of Loom’ , a wildly fun and dark steampunk fantasy novel set in a world very different from our own.

“Her vengeance. His vision.
 
Ari lost everything she once loved when the Five Guilds’ resistance fell to the Dragon King. Now, she uses her unparalleled gift for clockwork machinery in tandem with notoriously unscrupulous morals to contribute to a thriving underground organ market. There isn’t a place on Loom that is secure from the engineer-turned-thief, and her magical talents are sold to the highest bidder as long as the job defies their Dragon oppressors.
 
Cvareh would do anything to see his sister usurp the Dragon King and sit on the throne. His family’s house has endured the shame of being the lowest rung in the Dragons’ society for far too long. The Alchemist Guild, down on Loom, may just hold the key to putting his kin in power, if Cvareh can get to them before the Dragon King’s assassins. 
 
When Ari stumbles upon a wounded Cvareh, she sees an opportunity to slaughter an enemy and make a profit off his corpse. But the Dragon sees an opportunity to navigate Loom with the best person to get him where he wants to go.
 
He offers her the one thing Ari can’t refuse: A wish of her greatest desire, if she brings him to the Alchemists of Loom.”

‘The Alchemists of Loom’ was one of my favourite releases of last year, and was actually the book that began my deep love for Kova’s writing. Combining cool video-game-like magical mechanics, a fresh take on dragons, and fascinating blood magic systems, whether you’re a new reader or one hoping to refresh their memory of the book before TDON, come join us for four weeks of discussion, fun and general nerdery!

There will be special content and interviews with Elise going live throughout the month, including an interview with Elise here on my blog on the 20th of May.

So, if you’re already a fan, or someone who is new to Elise’s world, you’re welcome to join us throughout the month on Facebook and across social media. Hope you enjoy it as much a I do.

taol read along

The Abyss Surrounds Us (Emily Skrutskie)

4 stars

Cas has fought pirates her entire life. But can she survive living among them?

For Cassandra Leung, bossing around sea monsters is just the family business. She’s been a Reckoner trainer-in-training ever since she could walk, raising the genetically-engineered beasts to defend ships as they cross the pirate-infested NeoPacific. But when the pirate queen Santa Elena swoops in on Cas’s first solo mission and snatches her from the bloodstained decks, Cas’s dream of being a full-time trainer seems dead in the water.

There’s no time to mourn. Waiting for her on the pirate ship is an unhatched Reckoner pup. Santa Elena wants to take back the seas with a monster of her own, and she needs a proper trainer to do it. She orders Cas to raise the pup, make sure he imprints on her ship, and, when the time comes, teach him to fight for the pirates. If Cas fails, her blood will be the next to paint the sea.” (Flux)

So I went into this book knowing two things, a) the lesbian representation was apparently excellent, and b) it was filled with raging sea monsters. Two of my favourite things, sign me up right now!

Our protagonist, Cas, has spent almost her entire life studying to be a Reckoner trainer, she pretty much breathes, eats and sleeps her work. To her there is nothing as exciting and important as this job and her Reckoner. She’s been raised with almost unquestioning loyalty to the programme and the task that they complete, protecting civilian vessels on the vast seas of a world ravaged by global warming.

The world that Skrutskie builds is chilling. Seriously, nothing manages to get under my skin more than a future where we did nothing to slow the progression of global warming. The world Cas lives in has been dramatically changed by rising sea levels with many cities, even countries, being swallowed by the waves. The remaining landscape is so changed, the landmass so depleted, that federations of countries had to form to redistribute people across the available space, leading to war and deprivation.

I think one of my favourite parts of the book was Cas’ growing awakening to the world around her. Her realization, after seeing the cramped and desolate floating cities, that she doesn’t deserve food, land or security more than any other citizen of the earth, and the understanding that the breeding of Reckoners was always to protect those with wealth from those without.

Swift is the instrument of Cas’ moral awakening, a hard nosed young pirate, training and competing to be next in line for Santa Elena’s throne. Swift is very much a victim of her circumstances, born on a floating city, learning to look at the Reckoners that Cas’ adores with fear and dread. Swift would have chosen to have nothing to do with Cas, were it not for a twist of Santa Elena’s game that left Cas’ success as a trainer and their lives entwined. The romance between these two is slow, slow burn. Although it was maybe a little too slow for my liking, I can appreciate Skrutskie’s reasons for doing so. A romance any faster would have been a romance with a unhealthy power dynamic, that of captor and captive, something which Skrutskie deliberately avoids. It did, however, mean there wasn’t as much romance in this as I would like, but, I’m hoping that in book two this will be ecstatically rectified. Another massive positive for the LGBT aspect in this book is the fact that the world seems to be a place where non-heterosexual relationships are not looked upon with any kind of bigotry, avoiding any homophobic narratives and making this a safe and satisfying f/f romance.

From reading other peoples reviews I thought I would come out of this crying that it was my favourite thing I’d ever read. Unfortunately, I found that, whilst I enjoyed it, there were some things lacking in it for me. Namely that I think I wanted it to be more hardcore sci fi than it actually was. However, I think I could be the problem here. Weirdly, I think I’m slightly too old for this book, which is something I rarely feel when reading YA fiction. I also think it was maybe a little too slow burn for me, romance-wise, and I entirely understand why Skrutskie chose to write it that way (and I know other readers loved it), but I wanted more angst…and more kissing.

So, would I recommend this? Yes, definitely yes. Queer sci fi and fantasy books, especially with an Asian lead, rarely come up on my radar, and this is a little gem that I’m sure lovers of all f/f romance will enjoy, regardless of whether science fiction is a genre they usually avoid.

False Hearts (Laura Lam)

5 stars

So, this is actually a review that I wrote well before I had this blog. It was my first ever ARC review, but it’s still one of my favourite books and, rather excitingly, Laura Lam has a new book ‘Shattered Minds’, set in the same world and coming out soon. So, now seemed like a great time to rec this awesome, diverse, beautifully written book. Hope you enjoy!

“I finished False Hearts a couple of hours ago but had to give myself some time to marinade  because, you know, incoherent screaming doesn’t make a very good book review.

I reviewed the preview of ‘False Hearts’ by Laura Lam ( @lauraroselam) a couple of days ago, basically concluding that, dear lord, I wanted to read the rest of this book and fast. Thanks to Pan Macmillan and Netgalley I was able to get a full copy to review and I’m sure the question you want to know the answer to is ‘was it as good as you thought it was going to be?’

Yes

Oh, yes…

To put this in perspective, when I’m writing a review I tend to make two lists, one of parts I liked, one of elements I didn’t like, but I really struggled to find things to put in the second column. It felt disingenuous to try and find something wrong with this book so, you know what, I accepted that I just honestly loved it.

So what’s the ‘basic’ premise?

Raised in the closed cult of Mana’s Hearth and denied access to modern technology, conjoined sisters Taema and Tila dream of a life beyond the walls of the compound. When the heart they share begins to fail, the twins escape to San Francisco, where they are surgically separated and given new artificial hearts. From then on they pursue lives beyond anything they could have previously imagined.


Ten years later, Tila returns one night to the twins’ home in the city, terrified and covered in blood, just before the police arrive and arrest her for murder–the first homicide by a civilian in decades. Tila is suspected of involvement with the Ratel, a powerful crime syndicate that deals in the flow of Zeal, a drug that allows violent minds to enact their darkest desires in a terrifying dreamscape. Taema is given a proposition: go undercover as her sister and perhaps save her twin’s life. But during her investigation Taema discovers disturbing links between the twins’ past and their present. Once unable to keep anything from each other, the sisters now discover the true cost of secrets.

(Macmillan-Tor/Forge)

The world building is just so good. A corporate owned San Francisco, devoid of crime, running on pure green energy, every citizen augmented. Use of psychoactive technology means every violent or abhorrent thought or fantasy is exorcised through dreams. You see the world through the eyes of the twins who spent their childhood in a woodland cult, deprived of access to the implants and technology that people view as standard. You view this world with the same mild bewilderment that the sisters are feeling, as an outsider.

We have Tila, the adventurer, the twin who always wants to forge ahead, and Taema, the twin who you almost feel started life in Tila’s shadow. The events of the book mean these roles have to swap, we see a Taema who, initially, seems woefully out of her depth, a Tila with the situation ripped from her hands. There’s this wonderful juxtaposition of forward fighting Tila forced to look backwards and the more retiring Taema having to take the plunge into the future for them both.

I fell in love with the tech in this world. I have an intercalated degree in Neuroscience so the concept of Zeal, a psychoactive dream altering agent, sucked me right in. Between the blurred identity of separated conjoined twins and the personality muddling effects of Zeal, you get a feeling that this is a book which focuses a lot on ‘self’. Indeed, Taema, taking on Tila’s identity often wonders whether people like her more as Tila than as herself.

That point takes me onto the sinister cult of Mana’s Hearth. A cult raising people to be part of a lucid dreaming hive mind whole, united in fear of outsiders and nervous devotion to their leader Mana-ma. Mana-ma is a distant villain throughout the book, constantly in the back of the twin’s minds, warping their identity, making them doubt themselves and their independence.

Enter Nazarin, the undercover cop (and love interest). Now, Nazarin could very easily have slipped into a cliché but he never did. He’s not overly brooding or weirdly protective of Taema, you feel he respects her and her ability to make her own decisions. He is the quiet reassurance that Taema, raised to doubt herself, has always needed. I could probably write an essay on Nazarin but I really want you to experience him for yourself because the segments between Taema and him are some of my favourite in the book.

(Also, I feel I need to say that it seems as if bisexuality is the base state in this book and it’s great, it’s great not to read another book where characters get morally offended at getting hit on by the same sex. This was A+.)

This book never felt as if it was dragging, which is a miracle, because I don’t know a book where there isn’t at least one section that I feel could be cut. It runs to a very smooth, well paced end, that, without spoiling anything, I will say was very satisfying 😉

As a final flourish I want to talk about the feel of this book. You know those beautiful aesthetic graphics that people make for books, I feel False Hearts could inspire some completely gorgeous ones. The open starry skies and towering Redwoods of Mana’s Hearth, the bay fog, glistening neon skyscrapers of San Francisco, the swirling unpredictable Zealscapes…this is a beautiful beautiful book.

I hope you all enjoy this every bit as much as I did.”

Originally posted at lordbelatiel.tumblr.com.

The Promise of the Child (Tom Toner)

1 star

Ok, so I actually had a couple of other reviews lined up to write before this, but I feel I need to talk about this one now. I’m usually a fan of darker books, I don’t tend to get turned off by violence, or gore, or things that are just plain weird, but I do have a real bugbear with the unnecessary use of sexual violence…that, and books without a single female character of note.

So, the book…

It’s touted as an epic space opera in the style of Banks or Reynolds, and it is pretty big…but also wallowing and lacking direction. We follow the POVs of a good ten or so different characters throughout the story, but only two that you’ll actually have any interest in. It’s basically set in our universe but approximately 12,000 years in the future. Humans left earth, some became the immortal Amaranthine, others evolved into strange Prism races, all seeming to be at war with one another. The Amaranthine, being immortal, ended up holding power, but a power that seems to be waning as infighting weakens their society.

Chapters leap around a bit, there’s one set in 14th century Prague that seems to be literally never mentioned again, a couple in the 20th century Mediterranean that turn out to be dreams, and most set in the 147th Century. I’m sure that some of the more superfluous seeming chapters may be important in later books, but since I found them horrendously dull and pretty irrelevant I won’t be reading the later books to find out.

This book could have done with some serious streamlining. I know it was supposed to be some grand space opera, but it wallowed in a way that the greats, the Herbert’s and the Bank’s did not.

Lycaste, the main POV for the novel, is a member of a colour changing race of giants living on Earth. The blurb describes him a ‘lovesick recluse’. What that doesn’t tell you is that he spends the entire book bemoaning the fact he has been friendzoned, and basically ends up trying to kill the man that his ‘beloved’ loves instead. I also really did not like that his ‘reclusiveness’ and the fact he is generally unlikeable seems to be ‘explained away’ by him being on the autistic spectrum…seriously, if you’re going to try and write an autistic character, maybe talk to some autistic people beforehand and don’t make already rare autistic characters into gross stereotypes.  Needless to say, I didn’t like how Lycaste’s character was handled at all. There was some really cruel ableist language chucked around that could really hurt readers on the autistic spectrum.

The second POV that gets the most page space is Sotiris, a 12,000 year old Amaranthine, who originally lived his life in contemporary Cyprus. Personally, I think this entire book would have been much more interesting and much more readable if Sotiris had been the main character. I want to read books about amoral space Immortals, not whingy young men (well, giants) from Earth. Sotiris also gets the most interesting, and least offensive plot line. I’m going to sit here and mourn the epic story that could have been.

So, what is wrong with this book…

Whilst the inclusion of rape, sexism, homophobia and ableism in a book isn’t in itself a red flag, how it is dealt with, and whether it is given the grief it deserves in book, really is.

I mentioned the problematic depiction of a character on the autism spectrum earlier, and the fact that the book is just generally too long and poorly paced, but there’s more.

There are only a handful of named female characters in this enormous book and pretty much all of them either get raped or die…sometimes both. There’s even an attempt to explain away the lack of older female Amaranthine by saying they all ‘go senile’ earlier than the men…which doesn’t follow medical statistics at all, but, well, you do you. Also, I’m not going to go into detail about it here because I know it could hurt people, but the character I mentioned earlier, the one who doesn’t love Lycaste, literally…I’m not sure the author really intended it to be this way…but it reads like a friendzone revenge fantasy . I had to skip that part entirely, it was so gross and hurtful and unnecessary. All I’ll say is that it involved pregnancy and sexual assault…

There’s also some really rampant and completely out of place homophobia in this book. One character goes on a rant about how he thinks it’s disgusting that two men loved one another, just, out of nowhere, for no real reason. Later, a character is goaded by another character that he’s a ‘pretty man’ and ‘gay’, as if it’s a bad thing?? Then later some dude, that looks like a kid, drugs Lycaste and tried to sleep with him?? Why a) are any of these scenes necessary and b) how did no-one read any of this and think ‘maybe this is a little bit homophobic?’

As I mentioned earlier, you can put the most horrible, disgusting content in your books as long as you justify in text that the actions are abhorrent. You’re allowed to make points, to use shock and horror, as long as it doesn’t read like torture or revenge porn. Using rape to make a character look like a monster is maybe not advised but possible, however, take care with context! If you’re writing a book  and you don’t take care not to romanticize that act, then you’ve written something that actively damages rape victims of any gender.

Conclusion…

This a big book with an interesting plotline and envious scope…but it rolled some critical fails when it came to nuanced use of gendered violence. As a woman, specifically a queer woman, this one was not for me.

Many thanks to Netgalley and Gollancz Publishing for a copy in return for an honest review.

 

Sleeping Giants (Sylvain Neuvel)

3 stars

I went into this book expecting giant space robots and, rather disappointingly, barely got any giant space robots. It’s probably slightly the fault of my own expectations that I didn’t enjoy this as much as I thought I would, but, nevertheless, this is not the book that I was hoping for.

The book opens with a scientist recollecting how, as a young girl, she stumbled across an ancient hand of glowing turquoise lines in the woods of South Dakota, and how the circuitous effects of fate have lead to her becoming the lead researcher on  the project years in the future. The early parts of the book are engaging, raising questions as to what the hand is, where it came from, how old and, most interestingly, who made it? From the blurb we know it’s not human made, surpassing even our earliest attempts at civilization, and made from a substance only found in tiny quantities on Earth, hence beginning a long and tortuous process to try and find the other parts of what is thought to be an enormous humanoid machine.

Now, that sounds really cool, I’m getting images of Pacific Rim, Voltron, Evangelion..but the thing is that we just never really see any action. This entire book is politics and military wrangling, which, you know, is interesting in its own way but isn’t what I went into the story expecting. I couldn’t help but feel that this would make a much more interesting TV series or game than book. I’m not say there weren’t interesting points, I wouldn’t have given it three stars if there wasn’t something anchoring me to the plot, for example, further exposition on the origin of the giant robot is something I will definitely be picking up the next book for and the ‘cold war’ events of the novel were at times really interesting. There were just a lot of things I wasn’t particularly fond of.

Unfortunately, one of those was the format. I think that the ‘interviews and logs’ style of writing can work really well, World War Z immediately comes to mind as my favorite example of the form, I just don’t think that it worked for me in this novel. When writing a book that is almost exclusively dialogue, the most difficult thing is giving each character a voice of their own. The only character in this novel that was instinctually recognizable was the ‘Interviewer’, everyone  else had a disappointingly similar tone. I found it difficult to care about characters when they were all written in pretty much the same way and found myself skipping large chunks of text when it started to sound more like a speech than actual dialogue.

So, all in all, not one of my favorites.  I can’t quite shake the feeling of disappointment that I experienced on ending this story. Who knows, maybe book two will be a pleasant surprise.