Thirteen Reasons Why (Jay Asher)

You can’t stop the future. You can’t rewind the past. The only way to learn the secret . . . is to press play.

Clay Jensen returns home from school one day to find a mysterious box with his name on it, outside his front door. Inside he discovers a series of cassette tapes recorded by Hannah Baker – his classmate and crush. Only, she committed suicide two weeks earlier. On the first tape, Hannah explains that there are 13 reasons why she did what she did – and Clay is one of them.

If he listens, Clay will find out how he made the list – what he hears will change his life forever.”

 

2 stars

I had the hardest time trying to work out what to rate this book.  I’d heard a lot about this book, some of it good, some of it bad, all of it quite controversial. I wanted to read it with my own eyes, to see where my own opinions fell on the spectrum.

I had a vested interest in this book, as someone who a) had been a depressed teen and b) is someone considering specialising in child and adolescent mental health in my medical career. My general feeling is that I’m struggling to vocalise what I felt about this book. It didn’t feel like my depression at all, but I know that I can’t speak for everyone. Depression is an amorphous entity, as varied as there are people suffering from it, and everyone’s ‘black dog’ is different. I would say that I didn’t think the book delved into Hannah’s depression particularly deeply, it made the decision to focus on external motivators for her suicide, which, in my opinion, made this book more about how people treat others than suicide.

I liked the message that people should always be kind as no one knows what anyone is going through, but I also felt very uncomfortable with the idea that depression, and suicide, had a basis that could be entirely based in environmental interactions. Depression and suicide are very very complicated subjects and part of me did feel that this story oversimplified that.

I was also wary of the message that all of these ‘crimes’ towards Hannah were ‘reasons’ for her suicide. One of the characters only crime was to let a friendship drift? That’s not a crime against Hannah, that’s life. I feel uncomfortable with the idea that someone who lets a friendship drift (and herself is assaulted later in the story) is in the same league as a rapist. I’m also wary of the message that it sends teens, watching these ‘reasons’ stacking up in their own lives and wondering at what number their life starts to become unliveable. As someone who lived through a not particularly happy high school situation, that experience does not have to follow a person. Who cares who your friends and enemies were in High School? Odds are that you’re never going to see them again. Yes, the issues and problems born in teenage life can plague a person, but there’s therapy and medication and life beyond High School, and I worry that this book did not give that as an option. I wish Clay had challenged some of what Hannah had said, rather than believing it word for word. Depression can make people bitter and angry, it doesn’t necessarily make them the perfect sage counsellor for a book about how people should treat others.

That, I think is key. I don’t think this book was written for suicidal teens. I think it was written for teens who couldn’t even begin to consider that feeling. That job I think it does very well. People should be considering how their actions affect others, one person’s actions can create a domino effect. ‘Treat others as you’d want to be treated yourself’ is the lesson we try to instil in all kids, but sometimes it just doesn’t seem to get through. So, I hope that all kids reading this book take that message away, but for kids reading this who are suicidal, this is not the only path you have ahead of you. Please talk to people in your life, don’t waste your precious breaths on a cassette recorder…

Here’s a list of some resources for people who are currently struggling, or those who know someone who is struggling:

-currently suicidal or having thoughts of suicide? Here’s a list of suicide helplines around the world.

for parents or educators who want help in raising the conversation of suicide.

-for American Teens, ‘teenline’ offers phone/ text/email support from fellow teens in discussions of mental health and social problems.

-As always, if you feel in danger, whether it be from yourself or others, your local emergency room, accident and emergency department (UK) or crisis centre should be your first port of call. Mental health is health and you deserve to have your illness treated just like any other illness.

Thank you to Penguin Random House UK and Netgalley for a copy in return for an honest review.

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The Court of Broken Knives (Anna Smith Spark)

5 stars

“In the richest empire the world has ever known, the city of Sorlost has always stood, eternal and unconquered. But in a city of dreams governed by an imposturous Emperor, decadence has become the true ruler, and has blinded its inhabitants to their vulnerability. The empire is on the verge of invasion – and only one man can see it.

Haunted by dreams of the empire’s demise, Orhan Emmereth has decided to act. On his orders, a company of soldiers cross the desert to reach the city. Once they enter the Palace, they have one mission: kill the Emperor, then all those who remain. Only from ashes can a new empire be built.

The company is a group of good, ordinary soldiers, for whom this is a mission like any other. But the strange boy Marith who walks among them is no ordinary soldier. Marching on Sorlost, Marith thinks he is running away from the past which haunts him. But in the Golden City, his destiny awaits him – beautiful, bloody, and more terrible than anyone could have foreseen.”

Was I expecting, when requesting this on a whim, to find that a book that was one of my favourites of 2017? The answer is no, and I’m so glad that I listened to the feeling in my gut and decided to pick this one up. Because, as much as I love fantasy, sometimes I have a really hard time telling books apart from their blurbs. Large fantasy cities? Mercenaries? Empires? I can name off the top of my head a veritable list of books that contain these components. It’s what an author does with these building blocks that makes them special…

And this is certainly something special.

Sorlost is a City built behind towering walls of Bronze, residents comfortable, protected, despite being surrounded by a crumbling Empire of Dust. Orhan Emmereth is Lord of a once powerful house and sometime confidante of the Emperor. He sees the way the tiles are falling, that they are living in the dying ages of the Empire. Along with other high ranking Lords and his charismatic lover, Darath, he devises a coup, hiring mercenaries from across the desert to infiltrate the Palace and take out the Emperor.

This ragged band of mercenaries are much like any ragged band of mercenaries, apart from the cuckoo in their midst, a boy with the face and education of an aristocrat, the dreams of a broken soldier and the bloodlust of a beast.

In the great Temple of the Lord of Living and Dying, a young High Priestess completes her ritual sacrifices to keep the doors between life and death secure. She has no idea how this revolution could affect her temple and how it will change her life forever.

‘A crown of silver. A throne of gold. A sound of weeping. A scent of blood in the air. King Ruin. King of Dust. King of Shadows.’

This book is 100% for people who came out of ‘Game of Thrones’ more interested in the story of the Targaryens than anything else. It has all the trademarks of a dark fantasy, a brutal antihero, gallows humour, dragons…but there’s something else about this book. It’s just so well written. Seriously, it’s so rich and poetic and gorgeous. It’s a tale told by a poet with the mouth of a sailor and the voice of an angel, and it suits the tone of the book so well.

Take the character of Marith, a boy who looks as if he’s been carved from marble and storm clouds, but with an almost demonic killing frenzy. He’s not your classic anti-hero, not perfect in every crooked way; he has flaws that frequently take him to the edge of death, that make him unpredictable. You mourn for Marith, for the life and love that he could have had, for the addictions that plague him and for the lack of sympathy and help extended to him. I mean ‘cool motive, still murder’ is definitely a phrase that comes to mind and he’s not written in a way where you are expected to forgive him his crimes. I honestly felt at times as if we might be watching the end of the world…

Without spoiling much of the story I really loved how Smith Spark handled the story of the our dark hero’s lover. Through reading her sections you can entirely see how the character knows that falling in love with this person is a terrible idea, how they teeter between staying and leaving and yet, somehow, fall under their spell. So many times when reading fantasy novels, I find myself questioning why someone would stay with their despot lover, but this book definitely explored how people can become someone that they never knew they could be.

One thing that I know can make a lot of people uncomfortable whilst reading grimdark fantasy is an over-reliance on gendered violence. ‘A Court of Broken Knives’ seemed to be refreshingly free of this trope. I mean, every single person in this book is at severe risk of being knifed, but the danger of being decapitated by a dragon was higher than being raped. Thumbs up for that. For everyone who is concerned that it indicates a lack of general gory glory, have no fear, it’s bloody enough to make ‘Game of Thrones’ look a kids bed time story, it just decides to make everyone at risk of a gory death, not just women.

Also, the relationship between Orhan and Darath was so unbelievably cute. Established m/m romance in grimdark, that is treated respectfully? I did feel sad that it was a world where, whilst m/m relationships weren’t really frowned upon, a marriage between two high ranking Lords was considered impossible. It did mean that Orhan had to be ostensibly in a loveless sham marriage where neither he nor his wife was happy. But, to be honest, I don’t think there was a happy marriage in the entire book, so it wasn’t entirely out of pattern. The story is young and dark, who knows what is going to happen.

As mentioned earlier in the review, this book is one of my absolute favourites of the year so far. It is just so irreverent but evocative, poetic but also blunt and gory, filled with gorgeous prose and enough cursing to make a soldier blush. I can’t believe I’m going to have to wait ‘who-knows-how-long’ for book two. I can’t wait that long to see how my favourite royally makes a mess of everything.

‘A Court of Broken Knives’ it out on the 29th of June (tomorrow) from the wonderful people over at Harper Voyager, and I know there are some beautiful signed copies available at Goldsboro Books *wink wink*.

Many many thanks to Harper Voyager Books for a copy in return for an honest review. It was a pleasure to read.

A Song for the Story? ‘Under Your Skin’ by Aesthetic Perfection really put me in mind of Marith’s character at multiple points in the book!

 

October is the Coldest Month (Christoffer Carlsson)

4 Stars

“Vega Gillberg is 16 years old when the police come knocking on the door looking for her older brother, Jakob.

Vega hasn’t heard from him in days, but she has to find him before the police do. Jakob was involved in a terrible crime. What no one knows is that Vega was there, too.
In the rural Swedish community where the Gillbergs live, life is tough, the people are even tougher, and old feuds never die. As Vega sets out to find her brother, she must survive a series of threatening encounters in a deadly landscape. As if that wasn’t enough, she’s dealing with the longing she feels for a boy that she has sworn to forget, and the mixed-up feelings she has for her brother’s best friend.

During a damp, raw week in October, the door to the adult world swings open, and Vega realises that once she has crossed the threshold there is no turning back.”

I don’t read a lot of thrillers. That’s not to say I don’t like the feeling that you get from reading thrillers, there’s something about that dry-throat, adrenaline-surge as everything begins to tumble apart. Generally, I tend to get my fill of that feeling from horror books, but there was something about the blurb of this particular YA psychological thriller that drew me right in.

From the start there’s a very sinister feel to the story, all dark forests, drowning bogs and remote trailer parks. Much of the local economy runs on moonshine and the general atmosphere is one of ‘don’t ask questions that you don’t want the answer to’. Vega’s world is a hard and unfamiliar one. I’m sure that most people think of Scandinavia as some kind of utopia, they certainly don’t usually stop to consider the stories of those raised in poor rural towns and villages.

The story starts with a visit from the police. You get the feeling that the police don’t very often stick their noses into the business of this little forest community, and that their presence is unusual and unwanted. Vega, our protagonist, is asked whether she knows the location of her brother who is wanted for questioning about a crime. Vega must pretend that she knows nothing when, in fact, she knows exactly what they are talking about…she just doesn’t entirely know why it happened. We follow Vega as she tries to work out what happened that night and what it has to do with her brother.

It’s a short book, only taking me an evening to finish, but I think it’s the perfect length for the story that Carlsson wished to tell. I’d argue that it’s much more about Vega’s growth in an environment hostile to young women, than the mystery of the crime itself. Vega has to stick her nose in places where she is not welcome, learning uncomfortable truths about her brother, money and her uncle’s moonshine operation. A portion of the book is also devoted to her complicated feelings for one of the local boys and their awkward and strained relationship following some drunken fumbling. I liked that Vega’s interest in sex wasn’t shamed at any point during the book. She’s a sixteen year old girl, unapologetically finding what she likes in a world that has forced her to grow up too fast.

This book was a pleasant surprise. I wasn’t quite sure what to expect, but what I got was a rich little book, evoking all the cold loneliness of rural Sweden. Vega is a wonderful protagonist, who is fighting a battle against her past and the stagnancy of the world around her. Although the ending is left quite open, I found myself hoping that she ended up with a future that she deserved. I’ll definitely be picking books up by Carlsson in future.

Many thanks to Scribe UK and Netgalley for a copy in return for an honest review.

 

Waking Gods (Sylvain Neuvel)

1 star

An unknown vessel, not of this world, materializes in London. A colossal figure towering over the city, it makes no move. Is this a peaceful first contact or the prelude to an invasion?

Every child has nightmares. But the only thing scarier than little Eva Reyes’ dreams – apocalyptic visions of death and destruction – is the habit they have of coming true…

Scientist Dr Rose Franklin has no memory of the last few years. The strangers she works with say she died, and was brought back to life. The question is not just how … but why?

Kara Resnik and Vincent Couture fell in love during war, and have found peace since. They are the thin line of defence against what is coming. But they do not know they have been living a lie.

And a man who claims to have the answers has his own agenda. There are things he cannot say – and others he won’t.”

Ok, the lesson I’m going to take out of this is that if I’m not all that fond of book one the likelihood is that I’m not going to like book two at all…

All my least favourite parts of ‘Sleeping Giants’ took a front seat in the sequel. It’s a book about giant robots and the annihilation of the human race, I couldn’t honestly care less about a questionable love story between two characters that I only mildly had any feelings for.

It’s a book that thinks that it’s more intelligent than it actually is…there were a couple of points during the DNA/sepsis exposition that I was sitting there as a medic thinking ‘you just described 1+1=2 in the most roundabout and smug way possible’. Also, choosing the BRCA2 mutation as one of the genetic markers for imperfect humanity was pretty insensitive, maybe they should have made up some gene mutations instead of choosing ones that people die from every year.  At about 10% I’d pretty much reached the decision that this just wasn’t a book for me, but I kept reading, ever hopeful and marginally curious about what would happen. That was a poor decision on my part.

There’s a reason that I don’t choose to read film scripts, because the lack of internal thought process and visuals is boring as hell to a reader. Maybe it was more interesting to listen to as an audiobook but I’m not sure that I can be bothered to try. I know that I mentioned World War Z in the first review as well, but, honestly, that’s proof that I do quite enjoy the interview format if it’s done well. The transcribed audio logs in ‘Waking Gods’ were embarrassing to read, it put me in mind of old manuscripts that I wrote when I was eleven, stilted dialogue and too many ‘noooooooos’ for me to be able to take it seriously. Let’s be honest, an audio recording is not going to hear what you’re saying if you’re screaming, it’s just going to come out as a lot of ear bleeding static.

This had a great premise, giant robots is one of the quickest ways to get me on side when I’m trying to choose media…but it was just so dull, and the fact that I could completely skim huge chunks of text and still know what was going on didn’t exactly made me want to read it in any more detail. Sometimes books and readers just don’t click and I think that might have been the case here. Maybe the audiobook would have been better? I know that I would have enjoyed a film version a lot more? All I know is that I went in wanting giant robots and got a love story…eugh.

Thank you to Penguin Books and Netgalley for a copy in return for an honest review.

 

 

The Darkest Part of the Forest (Holly Black)

5 stars

“Down a path worn into the woods, past a stream and a hollowed-out log full of pill bugs and termites, was a glass coffin. It rested right on the ground, and in it slept a boy with horns on his head and ears as pointed as knives.” 

I’d had this book on my ‘to be read’ list for a while, but had somehow decided that it was another heterosexual faerie story that I wasn’t really all that interested in. Oh, how wrong I turned out to be…I can remember seeing this book recommended on a pride month list and being deeply confused. There were queer people in this book? Why had I never gotten that memo? So, queer people and faeries, this book immediately shot right up my reading list. It was a beautiful beautiful coincidence that the following day I happened upon a well loved hardback of this exact novel in my favourite charity bookshop. It was meant to be.

Hazel lives with her brother Ben and their somewhat unusual parents in the town of Fairfold, a town where faeries and humans tentatively co-exist. Faerie magic attracts tourists to the otherwise innocuous town, whilst locals side step faerie tricks by avoiding the deep woods and the full moon revels. Hazel knighted herself as a killer of monsters when she was very young, slipping into the forest with her brother to hunt the faeries that wished the people of Fairfold ill. But growing older has meant growing away from her childhood days of knighthood and growing away from the strange faerie music that her brother used to be able to wield. Now Hazel has put her sword to sleep, and Ben has locked his music away entirely.

People from far and wide travel to see Fairfold’s most unique attraction, a faerie boy with horns nestled in his curls, sleeping within a casket of glass. To the people of Fairfold he is an omnipresent spectre, the sleeping prince around which teenagers hold their own midnight revels and spill their secrets upon the glass.

Until one day they find the glass casket shattered, the faerie boy missing, and a strange ancient creature of sorrow stalking their once familiar forest.

I love faerie stories, always have done. Growing up, I too was raised in a faerie forest, rich with lore, dark and beautiful, and there was something about this book that perfectly captures that. It’s gnarled trees and crisp leaf litter, gurgling streams and paint smeared pages, the never-ever silence of the forest and nests of warm sheets. It’s boys and girls with glinting eyes and sharp smiles, the spin and surge of a faerie revel and the coolness of a full moon’s gaze. It’s everything that I wanted it to be.

“They are twilight creatures, beings of dawn and dusk, of standing between one thing and another, of not quite and almost, of borderlands and shadows.” 

Hazel, our protagonist, is a girl torn in two. Part of her yearns for normalcy, the rest of her rejects it as a cage. She feels that she is running on borrowed time after making a bargain with the Erl King in exchange for seven years of her life and fears that she must savour every moment as if it is her last. Hazel has always looked to her brother and her parents as ‘true creatives’, feeling as if she is living somewhat in their shadow. Once she was a killer of monsters and now she is finding that being ‘normal’ isn’t all it was cut out to be.

Not popular, but not quite ostracized, Hazel and her elder brother, Ben, both long for a faerie prince of their own. Fierce Hazel and soft musician Ben have spent all of their life spinning stories of the boy in the casket, now he is free and they’re not quite sure what to think. I loved the interactions that Black writes between these two, how both are deep wells of secrets united by a childhood spent entirely in each other’s company. They are siblings that truly love and support one another, especially growing up in a household where their parents were less than reliable.

A common point in both their lives is Jack, a faerie changeling who, unusually, lives alongside his human counterpart. Half Yoruban, with gorgeous high cheekbones, glowing brown eyes, silver loops in his ears and perfect hipster style, Hazel has the biggest crush on Jack, but doesn’t believe that he reciprocates it. I don’t want to say anything to ruin the plot, but he quickly became one of my favourite characters. Raised in the human world by a mother who refused to give him back to the fae, Jack is both part of the town of Fairfold and strangely separate. When faerie sentiment changes towards the town, and people start to get hurt, Jack becomes the focus of their attention. He is not one of them. It was heartbreaking to see how people reveal their true colours the moment that their hateful views become in any way ‘legitimized’.

Black has said that this story is set in the same faerie world as ‘Tithe’, ‘Valiant’ and ‘Ironside’, though in a court somewhat separate from those of the Seelie and Unseelie. I read ‘Tithe’ for the first time a week ago and loved it, but it’s incredible to see how much Black has grown as a story teller since then. This book is so lush and vibrant and chilling. I could rave for days about how much I love how smoothly she integrates lore and story and flashback. It’s perfect, it was honestly like reading a faerie tale from my childhood.

I’ve avoided talking about the boy in the casket here, mostly because anything I wanted to say felt like a spoiler. One of my favourite parts of the story was learning about him, so I won’t take that mystery away from you. I will say, however, that I adored how this story ended, so so much.

So, if you’re looking for a non heteronormative faerie story with all the richness and dark charm of the Erl King’s Court, filled with the creak of the old forest and the wild magic of the midnight hunt, I implore you to pick this book up. It exceeded every single one of my expectations.

“Stories like that were will-o’-the-wisps, glowing in the deepest, darkest parts of forests, leading travelers farther and farther from safety, out toward an ever-moving mark.” 

Godblind (Anna Stephens)

4.5 Stars

“The Mireces worship the bloodthirsty Red Gods. Exiled from Rilpor a thousand years ago, and left to suffer a harsh life in the cold mountains, a new Mireces king now plots an invasion of Rilpor’s thriving cities and fertile earth.

Dom Templeson is a Watcher, a civilian warrior guarding Rilpor’s border. He is also the most powerful seer in generations, plagued with visions and prophecies. His people are devoted followers of the god of light and life, but Dom harbors deep secrets, which threaten to be exposed when Rillirin, an escaped Mireces slave, stumbles broken and bleeding into his village.

Meanwhile, more and more of Rilpor’s most powerful figures are turning to the dark rituals and bloody sacrifices of the Red Gods, including the prince, who plots to wrest the throne from his dying father in the heart of the kingdom. Can Rillirin, with her inside knowledge of the Red Gods and her shocking ties to the Mireces King, help Rilpor win the coming war?”

I’d been itching for a good bit of dark fantasy for a while, so when I weirdly ended up with two copies of ‘Godblind’ I had a feeling that it was just ‘meant to be’. I actually took a good two weeks reading this, not because I wasn’t enjoying it, but because I wanted to savour it.

The Rilporins have been favoured by the Gods of the Light, the Dancer and her son, the Fox God. Peace has reigned for many years, with their enemies, the Mireces, and their Red Gods exiled to the inhospitable mountains, held at bay by the powers of the Light. But now the Mireces are on the move, hoping to tear the veil that keeps their Red Gods from the mortal world. The most assured way to break that veil? To spill truly epic amounts of blood in the name of their Gods…

I should probably point out at this moment that this book does fall into the grimdark category. If you haven’t read grimdark in the past, that basically means dark fantasy with characters that are more often than not grey morality or outright amoral. Plots are often ruthless and brutal with much death, and kind of make ‘Game of Thrones’ look positively lighthearted. If that isn’t your thing then you probably won’t enjoy this book very much. As with much grimdark there are quite a few content warnings that I’d like to put out there: violence, torture, religious sacrifice, self injury, internalized homophobia, rape and mutilation. They’re not one time warnings either, they occur multiple times throughout the book, and I don’t say that as criticism, I say that as fact. If you like your fantasy a little more forgiving then this book probably isn’t for you.

If, you know, that does sound like your kind of thing, then please continue.

One of my favourite things about this book was the characters, especially those of Rillirin,Tara, Dom and Crys…though, to be honest, I found all of them interesting in their own way. Rillirin is one of the first characters that we meet, a bed slave of the Mireces King and, honestly, one of my favourite female characters that I’ve read in a while. Seeing her flee from the Mireces, become a stronger person and begin to heal from her trauma, I found it was really great to meet a female character who didn’t have to fit the cookie cutter mold of ‘strong female protagonist’. Rillirin is strong,  but she’s also learning and growing and healing and I can’t wait to see where her story continues in later books.

“Then fuck you all, she thought, I’ll save myself.”

The quotation above is a perfect example of all the great women in this book, from Tara, the excellent Rilporin officer who consistently has to deal with men casting aspersions about how she climbed the ranks, to Gilda, an older woman and priestess who spits in the face of those who come to burn her town, and Lanta, a priestess of the Red Gods who is attempting to seize power for herself from the Mireces Kings. It was really nice to read some grimdark written by a woman, in that the female characters were much more than emotional cannon fodder.

The character of Dom is a fascinating one. I can see a couple of different directions in which his story might go. Out of all the characters in this book, his situation is probably the most tenuous. As a seer he is truly at the mercy of the Gods, who can enter his mind and send him messages and images at any time. Struggling and suffering under a compact that he made in past and trying to desperately avoid losing all sense of reality, I honestly worry for Dom and his tentative relationship with Rillirin. I fear that they might both be harmed by what is to come.

The final character I want to talk about is Crys, who I both adored and had a little bit of trouble with. I should probably preface this by saying that I’m bisexual and that, from what we see in text, Crys also seems to be bisexual. Which is awesome, I love representation and it’s pretty rare to see it in grimdark fantasy, let’s be honest. The problem I have with Crys is the way that him coming to terms with that bisexuality is written. We have a male character who flirts with Crys, and, initially Crys’ response is that he is abhorred, which, well, internalised homophobia is totally a thing, and his response IS explicitly called out on page (which I liked). However, I don’t really feel that we see enough of his mindset changing, of him thinking about his attraction before, boom, it’s the night before a battle and said male character is asking if he wants to kiss him and, suddenly, insta-bi! I also struggled with that scene because it seems as if the other male character is coercing Crys with the whole ‘we might die in battle tomorrow’ and, I totally think it isn’t intentional, but it does play a little into the ‘predatory gay’ trope. So, I’m conflicted, ‘yay’ for a canon mlm relationship in grimdark fantasy but ‘not-so-yay’ for there being some problems in how it was written. I’m hoping that by book two maybe some of those problems might have been ironed out.

Like many people, I went into this book not knowing whether it was a standalone or part of a series. I worked out about half way through that it probably wasn’t a standalone, and I’m actually pretty glad. I think there’s a lot more of this world to see and a lot more story to be told. I’m excited because I’ve sort of been tip-toeing around grimdark recently and I’m glad to see a new voice, especially a female voice! I’m also still kind of shocked that this was a debut, it wasn’t clunky in the slightest and held its own with all the giants of the genre.

So, if you’re looking for something dark and bloody to satisfy your ‘Game of Thrones’ cravings, I suggest picking this up when it comes out a couple of days from now on the 15th of June. The hardback cover looks gorgeous… I’ve also seen some variants with edges sprayed black out there, which, let’s be honest, are absolutely dreamy.

Many many thanks to Harper Voyager for an advanced copy in return for an honest review!!

A song that describes this book to me: The Song of the Sword Dancer (The Witcher: The Wild Hunt OST)

 

 

 

Tithe (Holly Black)

4.5 stars

I really wish that I’d read this back when I was a teenager. When it came out, back in 2004, I was eleven, but the odds of finding proper young adult books in my local bookshops was close to zero.

‘No, Tabitha, proper young girls read Dickens, not books about drugs and faeries…’

Eventually, I found my way to Twilight and Melissa Marr’s ‘Wicked Lovely’, but I just know that I would have loved to have read this back then. It just makes me glad that there are so many great available YA books out there for teenagers nowadays.

So, this books centres on Kaye, a sixteen year old forced to trail her mother from city to city as she drops in and out of bands. Kaye has known since her childhood that she draws some of the weirder things in life towards her; men with glowing eyes and tiny birdlike faeries, but it’s not until she meets an injured faerie Knight in the woods that she realises the full extent of her ‘difference’.

In exchange for her help, the faerie offers her three questions. For her third and final question, Kaye asks him for his true name…and we all know what such questions lead to.

This was a dark story, there’s no doubt about it. It has sex and alcohol and drugs and violence, but perhaps the darkest thing of all is that very faerie concept of true names and the power that they give. Words are so unbelievably powerful in this story. Those with power over your true name can make you do as they please, can rip your ability to consent from you entirely…

I really enjoyed that Black stayed true to so many of the old faerie tales; we have the Court under the Hill, the moral ambiguity of both the Seelie and Unseelie Courts, the mortal danger of faerie wine and the sad tales of the Changelings. Intertwined amongst this is the gritty urban fantasy that I was expecting; poor rural america, rusting old cars, trailer parks and broken carousels. She doesn’t shy away from making things ugly and I’d definitely put a content warning on this for body horror. If the idea of peeling skin, bleeding scars and iron welded into flesh is already making your stomach turn over then it might be worth giving this a miss!

It would be disingenuous to not mention one of my favourite parts of this story, our Unseelie Knight himself, Roiben. Quiet, hides his emotions behind a mask, utterly powerless to the demands of the Unseelie Queen, a literal sweet child of Summer who is caught beneath the hill. He has no ability to stop himself from completing the horrifying acts that the Unseelie Queen forces upon him. He has no ability to consent, no way to stop the agony. It genuinely breaks my heart a little bit, he instantly became one of my favourite male YA protagonists.

So, if you love dark faerie tales with a gritty contemporary edge and the sharp scent of apples, this is definitely a book I would recommend.

Shattered Minds (Laura Lam)

4.5 stars

“Ex-neuroscientist Carina struggles with a drug problem, her conscience, and urges to kill.

She satisfies her cravings in dreams, fuelled by the addictive drug ‘Zeal’. Now she’s heading for self-destruction until she has a vision of a dead girl.

Sudice Inc. damaged Carina when she worked on their sinister brain-mapping project, causing her violent compulsions. And this girl was a similar experiment. When Carina realizes the vision was planted by her old colleague Mark, desperate for help to expose the company, she knows hes probably dead.

Her only hope is to unmask her nemesis or shes next.

To unlock the secrets Mark hid in her mind, shell need a group of specialist hackers. Dax is one of them, a doctor who can help Carina fight her addictions. If she holds on to her humanity, they might even have a future together. But first she must destroy her adversary before it changes us and our society, forever.”

 

Set in the same dark future as ‘False Hearts’, the newest offering from Laura Lam is a very different book. Whereas ‘False Hearts’ was a book of neon warmth and arching redwoods, ‘Shattered Minds’ is a story filled with clinical chrome and the buzz of electronic instruments. It is a harder, colder book, less forgiving, with characters that take a little bit longer to love. But love them you definitely do.

Centring around a hacking group that is attempting to bring down a large, corrupt corporation that seems to own most of the West Coast (now Pacifica), ‘Shattered Minds’ has a really classic cyberpunk feel that put me in mind of William Gibson’s ‘Neuromancer’. Members of society now have complex neural implants to allow functions such as the straight downloading of information from external systems. Such neural implants can also allow hacking via VR, a more natural interface than hard code, though also bringing the added risk of cybersecurity systems being able to ‘fry’ user implants remotely, and, with them, the user’s own mind.

Carina, our protagonist, an ex neuroprogrammer, takes some time to warm to. She’s blunt and difficult, though once you realise how much of that ‘difficulty’ is due to self loathing and trauma she’s much easier to understand. She’s a character who has been betrayed by everyone she ever thought to trust, from her father to Roz, the scientist who was supposed to take her pain away. ‘Taking the pain’ away in Carina’s case turned out to be much more literal, with Roz re-engineering Carina’s brain in a way that made it so she rarely felt strong emotion. It was only when that programming began to unravel and sudden strong compulsions to commit violence and murder began to develop that Carina realised what had happened to her. Terrified of hurting people, she retreats into the world of zeal, a drug that allows users to manipulate their own dreamscapes. Her body falling apart at the seams, Carina feels that at least she is less of a threat to those around her…it’s heartbreaking on so many levels. The story raises the question on multiple occasions of just how much of Carina’s personality is her own and how much is what the brain engineering made her. Even if they were to reverse that engineering, how much of what Carina is was caused by nature and how much is what was done to her?

Dax, an important secondary POV character and love interest, was my favourite. I try not to play favourites, but I just couldn’t help it. He is, in Laura’s own words, the ‘cinnamon roll’, and I entirely agree with that assessment. The medic to our hacking collective, Dax originally was a surgeon specialising in body modification, common in the state of Pacifica. Always excellent at including LGBTQA+ characters and respectful rep in her stories, Laura’s decision to write Dax as a trans man is such a positive thing. Dax’s identity is not a plot point, it’s not a twist, it simply is. More books need to include LGBTQA+ characters in a way that makes identity incidental and not somehow part of the plot. LGBTQA+ people exist and their story doesn’t have to end there, let them have stories beyond that! Let them be heroes and villains and hackers and doctors, let them be whatever your stories need them to be, like any other character.

Also, you know, let them be cinnamon roll Native Doctors, because I love Dax so much.

Before I go on an excessively long ramble about how much I love one character, I’ll direct you towards our villain, the ruthlessly driven Roz. It’s been a while since I’ve disliked a villain quite as much as Roz. Cold, hard, indifferent to the feelings of others, she is probably my entire opposite, but I don’t think it’s even that which got under my skin so much. The most horrifying thing about Roz is how she doesn’t view consent as something sacred. She doesn’t care what you want, you’re simply her experiment and she has no qualms whatsoever in knocking you out and making fundamental changes to your brain. Genuinely, she gives me the shudders.

The half a star came off because I wasn’t able to gel with the story quite as much as I would have liked. It has a complicated structure, moving backwards and forwards in time in a way that makes a lot of sense for the plot and for Carina’s character, but sometimes left me a little confused. I’ve also mentioned before that Carina is maybe a little more difficult to love than your classic protagonist, but I think, once again, that that’s a personal thing and I know from reading other reviews that other people have absolutely adored her.

One of my favourite parts of the world that Laura builds for her Pacifica novels is the culture and the cities. There are all these subtle hints at other stories happening behind the scenes, like the fan who tried to clone his idols and led to a fashion for covering all fingerprints and shaving off all hair, so that no DNA was accidentally left behind. There’s also some overlap with ‘False Hearts’, in mentions of the cult that the protagonists were raised in, characters reappearing and further discussion of the some of the repercussions of events in the other book. Whilst you don’t have to have read ‘False Hearts’ to enjoy this, I’d honest recommend picking up both books, because ‘False Hearts’ is one of my favourite books of all time, and the world that Laura has created is a joy to read.

So, if you’re looking for a cerebral thriller (no pun intended), with diverse characters, genuine threat and much much neurohacking, this is definitely the book for you.

‘Shattered Minds’ is out on the 15th of June, and Laura has a pre order promotion going at the moment with 10K of extra Pacifica fiction available in return for proof of pre-order!

Many thanks to Tor Books for a copy in return for an honest review!