“Sante was a baby when she was washed ashore in a sea-chest laden with treasure. It seems she is the sole survivor of the tragic sinking of a ship carrying migrants and refugees. Her people.
Fourteen years on she’s a member of Mama Rose’s unique and dazzling circus. But, from their watery grave, the unquiet dead are calling Sante to avenge them:
A bamboo flute. A golden bangle. A ripening mango which must not fall… if Sante is to tell their story and her own.”
‘Strangers pitch up on our shores and we herd them into camps. They come in broken boats and we let them drown.’
I honestly don’t think there is a more important time to read this book than right now. With the political turmoil of Brexit and the resurgence of the far right, people seem to be forgetting that the desperate people trying to make their way into Europe are humans deserving of all the rights that we so take for granted. This book is about people whose only option is to attempt to cross the Mediterranean, who know it might kill them, who know they might fall into the hands of traffickers, but also know that it is the only choice that they have left. Honestly, with many peoples heads turned by the rhetoric plied by politicians, that we must strengthen borders and turn people away from our gates, I hope that people read this book and feel their opinions change.
Sante is one of the younger narrators that I’ve read recently, only fourteen, but her voice is so authentic that I feel it can be enjoyed by young and old alike. Badoe has a gorgeous way of writing, fluid and magical and, honestly, I didn’t even feel the pages passing, it was like a wonderful dream. It’s one of those books which is almost surreal, but you never feel the need to question it, it all makes sense in its own strange way. The closest category I’ve found when trying to explain it is Animist Realism, a genre of African Literature close to the Latin concept of Magical Realism, which is born from animism, a belief that everything on earth, be it rock, animals, weather or thought has its own spiritual essence. It’s the perfect genre for Sante’s story, allowing her to deal with the death of her parents, her exploration of the little she knows of them, and the ancestral echoes of the treasures that were left alongside her in the sea chest.
‘The baby gurgles, entranced by the rough play of water as a wave steadies her boat. She smiles, a jigsaw of stars and fire reflected in her eyes, and she stretches a dimpled hand to touch the moon.’
This book is so gorgeous. It’s rich and vibrant, filled with lush descriptions and poetic prose. Where in many books the inclusion of an animal companion can risk infantilising the story, Sante’s golden eagle felt more like a guardian spirit, a anthromorphisation of her strength and determination. It was a clever decision to balance the cold hard realities of the book against more whimsical prose. It’s the literary equivalent of casting fragrant rose petals over a rotting corpse, the scent only become more cloying, more horrific in the juxtaposition. The book is never graphic in its horror, it does not linger over the sordid details of what the traffickers do to their captives, but it does show the aftereffects of the trauma, the trembling fear and pain of survivors. It’s been a long time since I was so filled with hate for a villain, but ‘The Captain’, the head of the trafficking ring, is so powerful and vile that it honestly sent a shiver up my spine when he was first introduced.
The half star that I removed is for pacing, there was a bit of a lull at about the 60% mark that I felt was unnecessary and was the first time whilst reading the book that I felt a little bored. I was also a little confused about the use of the word ‘gypsy’ in text. Multiple times throughout the book Sante describes the word being used as a slur against other members of her circus family and yet once or twice she uses it to describe them herself. There’s also a random paragraph where Mama Rose, the head of the circus is described as dressing up in a kimono and white face powder for ‘thinking time’…whilst Mama Rose is a white woman. They’re small aberrations, but unnecessary ones that could easily be removed from the final product with no change to the plot itself.
‘A Jigsaw of Fire and Stars’ is a rich, vibrant young adult contemporary with a bright magical sparkle, that deals with incredibly important and relevant issues. It’s a short book, only 256 pages, which I’d genuinely love as many people to read as possible, because it’s the perfect foil to the dehumanisation of migrants that is horribly common in modern media.
‘A Jigsaw of Fire and Stars’ is out on the 7th of September, definitely one to be added to your ‘to be read’!
Many thanks to Head of Zeus Books for a copy in return for an honest review!